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Lymesmith
Projects
Colour Workshops
Writing
Services
Mural Commissions
Architectural Colour Design
Communicating Colour Guide
Lymelight
About
Contact
About
Team
Projects
Colour Workshops
Writing
Folder: Services
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Mural Commissions
Architectural Colour Design
Communicating Colour Guide
Lymelight
Folder: About
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Contact
About
Team
SETTING LIMITS: COLOUR IN RELATION TO PLACE
Colour and Architecture, Public, Exterior Colours, Old colour, Common ecosystem, Colour is political Sonia van de Haar 11/9/24 Colour and Architecture, Public, Exterior Colours, Old colour, Common ecosystem, Colour is political Sonia van de Haar 11/9/24

SETTING LIMITS: COLOUR IN RELATION TO PLACE

By applying the concept of the Readymade to our older housing stock the architect can become an ‘invigorating force’ of otherwise overlooked material ...

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ARCHITECTURE AND THE READYMADE
Colour and Architecture, Public, Exterior Colours, Old colour, Common ecosystem, Colour is political Sonia van de Haar 20/8/24 Colour and Architecture, Public, Exterior Colours, Old colour, Common ecosystem, Colour is political Sonia van de Haar 20/8/24

ARCHITECTURE AND THE READYMADE

By applying the concept of the Readymade to our older housing stock the architect can become an ‘invigorating force’ of otherwise overlooked material ...

Read More
LOOSEN YOUR DEATH GRIP ON VIVID WHITE
Colour and Architecture, Public, Exterior Colours, Old colour, Common ecosystem, Colour is political Sonia van de Haar 24/6/24 Colour and Architecture, Public, Exterior Colours, Old colour, Common ecosystem, Colour is political Sonia van de Haar 24/6/24

LOOSEN YOUR DEATH GRIP ON VIVID WHITE

In every era, colour palettes shift in response to the social, cultural and political landscape.

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COLOUR MAGIC ‘BETWEEN MOUNTAINS’
Colour and Architecture, Public, Exterior Colours, Old colour, Common ecosystem, Colour is political Sonia van de Haar 10/3/24 Colour and Architecture, Public, Exterior Colours, Old colour, Common ecosystem, Colour is political Sonia van de Haar 10/3/24

COLOUR MAGIC ‘BETWEEN MOUNTAINS’

I got this job because of poor architectural design. Art to the rescue!

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